{"id":11003,"date":"2021-12-25T18:06:16","date_gmt":"2021-12-25T15:06:16","guid":{"rendered":"http:\/\/blog.ulubat.org\/?p=11003"},"modified":"2021-12-25T18:06:19","modified_gmt":"2021-12-25T15:06:19","slug":"virtuozluk-armagani-parmaklarindan-miydi-cabasindan-miydi","status":"publish","type":"post","link":"https:\/\/blog.ulubat.org\/index.php\/genel\/virtuozluk-armagani-parmaklarindan-miydi-cabasindan-miydi\/","title":{"rendered":"Virt\u00fc\u00f6zl\u00fck Arma\u011fan\u0131 Parmaklar\u0131ndan M\u0131yd\u0131, \u00c7abas\u0131ndan M\u0131yd\u0131?"},"content":{"rendered":"\n

Niccolo Paganini, 1782 y\u0131l\u0131nda Cenova\u2019da (\u0130talya) d\u00fcnyaya gelmi\u015ftir. Ba\u015far\u0131s\u0131zl\u0131k tecr\u00fcbeleri \u00e7ok olan babas\u0131ndan hen\u00fcz \u00e7ocukken mandolin \u00e7almay\u0131 \u00f6\u011frenmi\u015f, bununla birlikte keman \u00e7almaya ba\u015flam\u0131\u015ft\u0131r. Lakin Paganini\u2019nin keman maceras\u0131 kendi r\u0131zas\u0131yla de\u011fil babas\u0131n\u0131n te\u015fvikleriyle alevlenmi\u015ftir.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Alt\u0131 ya\u015f\u0131nda iken k\u0131zam\u0131k Paganini\u2019yi \u00f6l\u00fcm d\u00f6\u015fe\u011fine kadar s\u00fcr\u00fcklemi\u015f hatta trajikomik bir olayla kefenlenip g\u00f6m\u00fclmek \u00fczereyken k\u0131p\u0131rdama hareketleri fark edildi\u011fi i\u00e7in \u00e7\u0131kar\u0131lm\u0131\u015ft\u0131r. \u0130lerleyen zamanlarda Lucca Cumhuriyeti Orkestras\u0131\u2019ndaki ilk kemanc\u0131 konumuna eri\u015fmi\u015f, parlayan y\u0131ld\u0131z asaletiyle kendini kan\u0131tlamaya ba\u015flam\u0131\u015ft\u0131r. Lakin babas\u0131n\u0131n olumsuz al\u0131\u015fkanl\u0131klar\u0131ndan ta\u015f\u0131d\u0131\u011f\u0131 par\u00e7alar Paganini\u2019nin yetene\u011fine kara bulut gibi \u00e7\u00f6km\u00fc\u015ft\u00fcr. Buna ra\u011fmen kara bulutlar\u0131 g\u00f6lgeleyen g\u00fcne\u015f gibi parlamay\u0131 ba\u015farabilmi\u015ftir. Nitekim virt\u00fc\u00f6z, seyahatleri esnas\u0131nda kendini \u00f6nemli kalemlere ispat edebilmi\u015ftir. Hatta Stendhal ve Goethe, Paganini\u2019yi \u015feytanla ba\u011fda\u015ft\u0131rm\u0131\u015ft\u0131r. Paganini\u2019nin s\u00f6ylenenlere verdi\u011fi cevap ise alayl\u0131 c\u00fcmlelerden ibarettir.<\/p>\n\n\n\n

<\/p>\n\n\n\n

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<\/figcaption><\/figure>\n\n\n\n

Buna benzer bir \u00f6rnek de \u0130talya\u2019da Weimar\u2019da Paganini\u2019nin bir g\u00f6sterisinin ard\u0131ndan sahnede korkun\u00e7 ve \u015feytani g\u00fcl\u00fcmsemesiyle te\u015fekk\u00fcr edi\u015fidir. \u0130lave olarak t\u00fcyler \u00fcrperten keman\u0131, ke\u015ffedilmeyen teknikleriyle \u015fa\u015f\u0131rt\u0131c\u0131 ve \u015feytani bi\u00e7imde \u00e7alm\u0131\u015ft\u0131r. Dinleyiciler ve orkestradakiler ayn\u0131 anda \u015fa\u015fk\u0131nl\u0131k, korku ve hayranl\u0131k i\u00e7erisinde kalm\u0131\u015flard\u0131r. \u015eimdiye kadar sahnede, dinleyicileri bu denli duygu karma\u015fas\u0131 i\u00e7erisinde b\u0131rakan bir sanat\u00e7\u0131ya rastlamam\u0131\u015flard\u0131r. Frau Junge, Paganini\u2019nin bireyselli\u011fini ve yetene\u011fini \u00e7ok be\u011fendi\u011fini \u015fa\u015fk\u0131nl\u0131kla ifade etmi\u015ftir. Ayn\u0131 zamanda ge\u00e7en y\u00fczy\u0131l\u0131n en iyi virt\u00fc\u00f6z\u00fc oldu\u011funu, Paganini\u2019de \u015feytani b\u00fcy\u00fcleyici unsurlar\u0131n oldu\u011funu hayranl\u0131kla dile getirmi\u015ftir. Paganini, ya\u015fam\u0131 boyunca kronik hastal\u0131klarla m\u00fccadele etmi\u015f, bunun yan\u0131nda Marfan Sendromu bedeninde ebediyen ta\u015f\u0131d\u0131\u011f\u0131 d\u00f6vme gibi onunla seyahat etmi\u015ftir. \u0130lerleyen zamanlarda gittik\u00e7e k\u00f6t\u00fcle\u015fen sa\u011fl\u0131\u011f\u0131na ek olarak g\u00f6rme bozuklu\u011fu ba\u015f g\u00f6stermi\u015ftir. Sahne \u0131\u015f\u0131klar\u0131ndan zarar g\u00f6rmemek i\u00e7in mavi g\u00f6zl\u00fck takmaya ba\u015flam\u0131\u015ft\u0131r. Virt\u00fc\u00f6z ya\u015f ald\u0131k\u00e7a, t\u00fcberk\u00fcloz ve sifiliz de Paganini\u2019nin yakas\u0131na yap\u0131\u015fm\u0131\u015ft\u0131r. Ba\u015far\u0131lar\u0131n\u0131n yan\u0131nda ba\u015f etmek durumunda kald\u0131\u011f\u0131 Marfan Sendromu da hayat\u0131na y\u00f6n vermi\u015ftir.<\/p>\n\n\n\n

Ehler Danlos Sendromu <\/h2>\n\n\n\n

Kal\u0131tsal ba\u011f doku hastal\u0131\u011f\u0131 olan Ehler Danlos Sendromu hem otozomal dominant hem de otozomal resesif ge\u00e7i\u015f g\u00f6stermektedir. Kollajen proteininin sebep oldu\u011fu bir kusur olan sendrom, eklem hipermobilitesine neden olur. Ayn\u0131 zamanda ciltte elastisiteye yol a\u00e7ar. Marfan Sendromu ile birbirini \u00e7a\u011fr\u0131\u015ft\u0131rsalar da aralar\u0131nda farklar vard\u0131r. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Marfan Sendromu <\/h2>\n\n\n\n

15. kromozomda bulunan FBN1 gen mutasyonu nedeniyle otozomal resesif seyreden ba\u011f doku hastal\u0131\u011f\u0131d\u0131r. Ba\u011f doku elastikiyetine etkileri d\u0131\u015f\u0131nda kalp ve g\u00f6zde de sorunlar ortaya \u00e7\u0131karmaktad\u0131r. Uzun ve ince v\u00fccut yap\u0131lar\u0131 ayn\u0131 zamanda orant\u0131s\u0131zd\u0131r. Bu ki\u015filerin esnek ve gev\u015fek eklemlerinin yan\u0131 s\u0131ra orant\u0131s\u0131z ve uzun ekstremiteleri, parmaklar\u0131 vard\u0131r. Omurgalar\u0131nda e\u011fiklik de bulunabilmektedir. B\u00fct\u00fcn bunlar di\u015f problemlerini de beraberinde getirebilir. Miyop ve lens subluksasyonu da bulunabilir. Ehler Danlos Sendromu ile aralar\u0131ndaki ayr\u0131ma gelecek olursak; Marfan Sendromu\u2019ndaki FBN1 geni, ba\u011f dokular\u0131n yap\u0131sal bozuklu\u011funu da ilave olarak etkiler. Ehler Danlos Sendromu\u2019nda cilt uzayabilirli\u011fi, hipermobilite ve doku k\u0131r\u0131lganl\u0131\u011f\u0131 meydana gelmektedir. Her ikisi de \u00e7oklu sistematik bozukluklard\u0131r. Ay\u0131rt etmek i\u00e7in \u2018\u2019neden\u2019\u2019 sorusunu sormam\u0131z yeterli olacakt\u0131r. Ehler Danlos Sendromu, kollajen proteininden kaynaklanan sorundan meydana gelirken; Marfan Sendromu\u2019ndaki su\u00e7lu fakt\u00f6r ise gen mutasyonudur. 19. y\u00fczy\u0131l\u0131n en g\u00f6zde bestecisi virt\u00fc\u00f6z\u00fc Paganini\u2019nin de muzdarip oldu\u011fu Marfan Sendromu\u2019nda iskelet bulgular\u0131 \u00e7ok net g\u00f6ze \u00e7arpmaktad\u0131r. Paganini ise bu durumu avantaja \u00e7evirmeyi ba\u015farm\u0131\u015f, keman\u0131n s\u0131n\u0131rlar\u0131n\u0131 zorlay\u0131p kendisini zirveye ta\u015f\u0131m\u0131\u015ft\u0131r. Paganini, upuzun parmaklar\u0131 sayesinde keman tekniklerini di\u011fer virt\u00fc\u00f6zlerden daha kolay kullanabilmi\u015ftir. Hatta bir el aral\u0131\u011f\u0131ndaki d\u00f6rt telde \u00fc\u00e7 oktav \u00e7alabilmeyi ba\u015farm\u0131\u015ft\u0131r. \u0130lave olarak kemana \u00e7ift ses basmay\u0131 denemi\u015f ve bu gibi yeni teknikler ortaya \u00e7\u0131karm\u0131\u015ft\u0131r. \u00c7al\u0131\u015fmalar\u0131yla bir\u00e7ok sanat\u00e7\u0131n\u0131n yoluna \u0131\u015f\u0131k olmu\u015ftur. \u0130talya\u2019da do\u011fumunun 200. Y\u0131l\u0131nda Paganini i\u00e7in hat\u0131ra pulu bast\u0131r\u0131lm\u0131\u015ft\u0131r. Bireydeki farkl\u0131l\u0131\u011f\u0131n hatta dezavantaj olarak nitelendirdi\u011fimiz bir sekelin nas\u0131l lehimize \u00e7evrilebildi\u011fini ve f\u0131rsat\u0131 de\u011ferlendirdi\u011fimizde bizi nas\u0131l zirveye ta\u015f\u0131yaca\u011f\u0131n\u0131 Nicolo Paganini sayesinde bir kez daha fark etmi\u015f olduk. <\/p>\n\n\n\n

Kaynak\u00e7a; <\/h2>\n\n\n\n

https:\/\/tr.weblogographic.com\/differences-between-eds-and-marfan-syndrome-653900https:\/\/www.medikalakademi.com.tr\/genetik-hastaliklar-ehlers-danlos-syndrom-eds-nedir-belirtileri-ve-tedavisi\/https:\/\/www.ahmetakgul.com.tr\/index.php\/uzmanliklar\/kalp-hastaliklari\/1963-marfan-hastaligi-ve-sendromuhttps:\/\/web.archive.org\/web\/19970327033834\/http:\/\/www.gegoux.com\/fake.htmhttps:\/\/www.researchgate.net\/publication\/276069354_Niccolo_Paganini_The_hands_of_a_geniushttps:\/\/www.sciencedaily.com\/releases\/2015\/12\/151210031828.htm<\/a><\/p>\n\n\n\n

<\/h2>\n","protected":false},"excerpt":{"rendered":"

Niccolo Paganini, 1782 y\u0131l\u0131nda Cenova\u2019da (\u0130talya) d\u00fcnyaya gelmi\u015ftir. Ba\u015far\u0131s\u0131zl\u0131k tecr\u00fcbeleri \u00e7ok olan babas\u0131ndan hen\u00fcz \u00e7ocukken mandolin \u00e7almay\u0131 \u00f6\u011frenmi\u015f, bununla birlikte<\/p>\n","protected":false},"author":582,"featured_media":11005,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"acf":[],"views":1263,"_links":{"self":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/11003"}],"collection":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/users\/582"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/comments?post=11003"}],"version-history":[{"count":1,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/11003\/revisions"}],"predecessor-version":[{"id":11008,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/11003\/revisions\/11008"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media\/11005"}],"wp:attachment":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media?parent=11003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/categories?post=11003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/tags?post=11003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}