{"id":11064,"date":"2022-03-11T17:18:06","date_gmt":"2022-03-11T14:18:06","guid":{"rendered":"http:\/\/blog.ulubat.org\/?p=11064"},"modified":"2022-03-11T17:18:09","modified_gmt":"2022-03-11T14:18:09","slug":"disleksi-ve-migren-krizleriyle-picassonun-savasi","status":"publish","type":"post","link":"https:\/\/blog.ulubat.org\/index.php\/genel\/disleksi-ve-migren-krizleriyle-picassonun-savasi\/","title":{"rendered":"D\u0130SLEKS\u0130 ve M\u0130GREN KR\u0130ZLER\u0130YLE P\u0130CASSO\u2019NUN SAVA\u015eI"},"content":{"rendered":"\n

\u00a0\u00a0\u00a0\u00a0\u00a0 Yirminci as\u0131r sanat\u0131na damga vuran ressam, heykeltra\u015f, \u015fair ve oyun yazar\u0131 Pablo Picasso. K\u00fcbizmle modern \u00e7a\u011f\u0131 sallayan sanat\u00e7\u0131. Do\u011fdu\u011fu topraklardan Fransa\u2019ya gitmi\u015f fakat burada da hayat Picasso\u2019ya mutluluk kap\u0131lar\u0131n\u0131 sonuna dek a\u00e7mam\u0131\u015ft\u0131r. Bir s\u00fcre sirk ya\u015fam\u0131 ilgi oda\u011f\u0131nda olmu\u015ftur. Lakin her ne kadar sirk kompozisyonunu anlatsa da resimlerindeki anahtar kelime sirk de\u011fildir. Aksine sahnede olan bitenlerin arka plan\u0131nda ya\u015fanan dramatik ve zorlu hayat ko\u015fullar\u0131 vard\u0131r. Picasso bizleri f\u0131r\u00e7as\u0131yla e\u011flence d\u00fcnyas\u0131n\u0131n h\u00fcz\u00fcnl\u00fc ger\u00e7e\u011finde yolculu\u011fa \u00e7\u0131karm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

\"\"


<\/figcaption><\/figure>\n\n\n\n

Pablo Picasso\u2019nun resim hayat\u0131, ya\u015fad\u0131klar\u0131yla orant\u0131l\u0131 olarak bak\u0131\u015f a\u00e7\u0131s\u0131ndan \u00f6nemli derecede etkilenmi\u015ftir. Bu temalar\u0131 s\u0131n\u0131fland\u0131rarak d\u00f6nemlere ay\u0131racak olursak;<\/p>\n\n\n\n

Mavi D\u00f6nem<\/h2>\n\n\n\n

    Sirk ya\u015fam\u0131, palya\u00e7olar\u2026 Kendilerini e\u011flendirmeyi erteleyip toplumu e\u011flendirmekle g\u00f6revlendirilmi\u015f insanlar ve hayvanlar. Soylu kesimin mutlulu\u011fundan nasibini alamam\u0131\u015f insanlar\u2026<\/p>\n\n\n\n

Ne\u015feli sirk ya\u015fam\u0131n\u0131n g\u00f6r\u00fcnmez y\u00fcz\u00fc h\u00fcz\u00fcnl\u00fc ya\u015famlar\u2026<\/p>\n\n\n\n

Picasso da bu k\u0131sm\u0131 ele almaktad\u0131r. Bu d\u00f6nem \u2018\u2019Mavi D\u00f6nem\u2019\u2019 dir. Mavi D\u00f6nem ad\u0131n\u0131 alma sebebi ise; k\u00fc\u00e7\u00fckl\u00fc\u011f\u00fcnden beri mavi renginin huzur sa\u00e7t\u0131\u011f\u0131na inanmas\u0131d\u0131r. Hayat\u0131n en saf, en ger\u00e7ek halini maviyle betimlemesindendir. Ya\u015fam\u0131n do\u011fall\u0131\u011f\u0131n\u0131n ve ger\u00e7ekli\u011finin mavide oldu\u011funu savunmu\u015ftur. Bunun yan\u0131nda arkada\u015f\u0131n\u0131n intihar\u0131 \u00fczerine maviye ve ac\u0131ya yakla\u015fmas\u0131 da bu d\u00f6neme tekab\u00fcl eder.<\/p>\n\n\n\n

Pembe D\u00f6nem<\/h2>\n\n\n\n

     Fransa\u2019da e\u015fiyle tan\u0131\u015fmas\u0131, Picasso\u2019nun dramatik d\u00fc\u015f\u00fcncelere vedas\u0131na vesile olmu\u015ftur. Pembe D\u00f6nem, a\u015fk\u0131n ve lirik ac\u0131lar\u0131n hakimiyetinde olan bir d\u00f6nemdir. <\/p>\n\n\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0 Picasso, bu d\u00f6nemlerin e\u015fli\u011finde k\u00fcbizmi de zirveye ta\u015f\u0131may\u0131 ba\u015farm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

\"\"
A\u011flayan Kad\u0131n- Pablo Picasso<\/figcaption><\/figure>\n\n\n\n

 K\u00fcbizm<\/h2>\n\n\n\n

   Yirminci y\u00fczy\u0131l\u0131n ba\u015f\u0131nda empresyonizme tepki olarak do\u011fan bu ak\u0131m Georges Braque\u2019nin \u00f6nc\u00fcl\u00fc\u011f\u00fcnde ortaya \u00e7\u0131km\u0131\u015ft\u0131r. K\u00fcbizmle hayaller, bilin\u00e7altlar\u0131, nesnelerin d\u0131\u015f g\u00f6r\u00fcn\u00fc\u015f\u00fcnden ziyade i\u00e7 d\u00fcnyalar\u0131 g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131l\u0131r.<\/p>\n\n\n\n

     \u2018\u2019K\u00fcbizm\u2019\u2019 ad\u0131n\u0131 alma nedeni de geometrik yap\u0131lar\u0131n yard\u0131m\u0131yla varl\u0131klar\u0131 t\u00fcm y\u00f6nden resmetme amac\u0131 ta\u015f\u0131mas\u0131d\u0131r.<\/p>\n\n\n\n

\u00a0\u00a0\u00a0\u00a0 K\u00fcbizm ak\u0131m\u0131n\u0131n \u00f6nc\u00fcleri \u00e7ok boyutlu nesneleri ve varl\u0131klar\u0131 ka\u011f\u0131da d\u00f6kme ba\u015far\u0131s\u0131n\u0131 g\u00f6stermi\u015flerdir. Bu \u015fekilde fig\u00fcrlerin anlam\u0131n\u0131 daha iyi belirtmek ve fig\u00fcrleri ger\u00e7ek de\u011ferine ula\u015ft\u0131rd\u0131klar\u0131n\u0131 d\u00fc\u015f\u00fcnm\u00fc\u015flerdir. Sanat\u0131 kal\u0131pla\u015fm\u0131\u015f anlamlar\u0131ndan \u00e7\u0131kar\u0131p ba\u015fka a\u00e7\u0131lar\u0131n kap\u0131lar\u0131n\u0131 zorlam\u0131\u015flard\u0131r.<\/p>\n\n\n\n

\"\"
Ayna Kar\u015f\u0131s\u0131ndaki Kad\u0131n-Pablo Picasso<\/figcaption><\/figure>\n\n\n\n

Picasso\u2019nun \u2018\u2019A\u011flayan Kad\u0131n\u2019\u2019 tablosu, Dora Maar\u2019\u0131n g\u00f6zya\u015flar\u0131ndan mirast\u0131r. \u2018\u2019Ayna Kar\u015f\u0131s\u0131ndaki Kad\u0131n\u2019\u2019 tablosunda ise ge\u00e7mi\u015f ve gelece\u011fi tek bir d\u00fczlemde betimlemeyi ba\u015farm\u0131\u015f, kad\u0131n v\u00fccudunun hatlar\u0131 kal\u0131pla\u015fm\u0131\u015f fikirlerden ziyade kusurlar\u0131yla ve k\u00fcbizm ak\u0131m\u0131yla harmanlanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

  Peki, Picasso\u2019nun disleksik olmas\u0131na ra\u011fmen sanatta zirveye ula\u015fmas\u0131 \u015fa\u015f\u0131rtm\u0131yor mu?<\/p>\n\n\n\n

   Morgen\u2019\u0131n \u2018\u2019Do\u011fu\u015ftan kelime k\u00f6rl\u00fc\u011f\u00fc\u2019\u2019 olarak ifade etti\u011fi bu n\u00f6rolojik problem Picasso\u2019nun da ba\u015f\u0131na i\u015f a\u00e7m\u0131\u015ft\u0131r. Okurken zorland\u0131\u011f\u0131 i\u00e7in sars\u0131nt\u0131l\u0131 giden Picasso\u2019nun akademik hayat\u0131 kilise okulundan at\u0131lmas\u0131yla son bulmu\u015ftur. Babas\u0131n\u0131n deste\u011fiyle sanatta kendini geli\u015ftirmeye ba\u015flam\u0131\u015f ve b\u00fct\u00fcn bu zorluklar\u0131 yenerek k\u00fcbizmin sembol\u00fc haline gelmi\u015ftir.<\/p>\n\n\n\n

Peki b\u00fct\u00fcn bu f\u0131r\u00e7a darbelerini migren ataklar\u0131ndan muzdaripken yapma olas\u0131l\u0131\u011f\u0131 var m\u0131?<\/p>\n\n\n\n

Krizleri ba\u015flamadan \u00f6nce g\u00f6rd\u00fc\u011f\u00fc auralar\u0131ndan par\u00e7alar ta\u015f\u0131d\u0131\u011f\u0131 tart\u0131\u015fma konusu olan eserleri bizleri de soru i\u015faretinde b\u0131rakmaktad\u0131r.<\/p>\n\n\n\n

  Hollanda\u2019da Dr. Michel Ferrari\u2019nin yorumuna g\u00f6re Picasso, baz\u0131 eserlerindeki fig\u00fcrleri kriz esnas\u0131nda g\u00f6rme anomalilerinin bir sonucu olabilece\u011fini s\u00f6yl\u00fcyor.<\/p>\n\n\n\n

      Dr. Ferrari\u2019nin yak\u0131n zamanda yapt\u0131\u011f\u0131 ara\u015ft\u0131rmalar ise migren hastalar\u0131n\u0131n yapt\u0131\u011f\u0131 \u00e7izim, boyama ve di\u011fer sanatsal \u00e7al\u0131\u015fmalar \u00fczerineydi. Bu \u00f6rnekleri inceleyip birbirleri aras\u0131ndaki ba\u011flant\u0131y\u0131 yorumlamaya \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Bu eserler ile Picasso\u2019nun eserleri aras\u0131ndaki benzerli\u011fe odaklanm\u0131\u015ft\u0131r. Ortak olan unsur ise g\u00f6rsellerdeki yan\u0131lt\u0131c\u0131 k\u0131r\u0131lmalard\u0131r. Dr. Ferrari, \u2018\u2019Pablo Picasso\u2019nun kad\u0131n y\u00fcz\u00fc resimlerinde g\u00f6r\u00fclen d\u00fc\u015fey yar\u0131klar ve kay\u0131k y\u00fcz par\u00e7alar\u0131 migren hastalar\u0131n\u0131n g\u00f6rd\u00fc\u011f\u00fc bi\u00e7imlere fark edilir derecede benziyor. Migrenin sonu\u00e7lar\u0131ndan biri g\u00f6rme anomalilerinin zaman i\u00e7erisinde artmas\u0131\u2019\u2019 ifadesini kullanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

     Di\u011fer bir \u00e7al\u0131\u015fma ise Podoll ve Robinson\u2019un tespit etti\u011fi \u2018\u2019Hayali B\u00f6l\u00fcnme\u2019\u2019dir. Picasso\u2019nun ill\u00fczyonunda objeler ve insanlar yer de\u011fi\u015ftirebilir, birbirlerinden ayr\u0131labilir gibi \u00e7atlak \u015feklinde \u00e7izgiler g\u00f6r\u00fcn\u00fcr. <\/p>\n\n\n\n

      Picasso ise \u00e7izdi\u011fi fig\u00fcrleri \u015fu \u015fekilde ifade etmi\u015ftir. \u2018\u2019 Do\u011fay\u0131 neden taklit edeyim ki, sizlerin resimlerimde buldu\u011funuz manalar \u00f6nemli.\u2019\u2019<\/p>\n\n\n\n

    Di\u011fer \u00e7arp\u0131c\u0131 yorumu ise \u2018\u2019\u0130spanya\u2019da daha iyi \u00f6ts\u00fcn diye saka ku\u015flar\u0131n\u0131n g\u00f6zlerini oyarlar. Biz ressam tayfas\u0131n\u0131n da daha iyi resim yaps\u0131n diye g\u00f6zlerini oymal\u0131\u2019\u2019 demektedir. Bu d\u00fc\u015f\u00fcncesiyle nesnelerin g\u00f6r\u00fcn\u00fcmlerinin ressamlar\u0131 s\u0131n\u0131rland\u0131rd\u0131\u011f\u0131n\u0131 savunmaktad\u0131r.<\/p>\n\n\n\n

\u00a0 Ancak b\u00fct\u00fcn bunlara ra\u011fmen resmi bir te\u015fhis bulunmamaktad\u0131r. Hatta Picasso\u2019nun ba\u015f a\u011fr\u0131s\u0131z sadece aura ya\u015f\u0131yorsa kolayca migren tan\u0131s\u0131n\u0131n atlanabilece\u011fi ortaya at\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00a0\u00a0\u00a0\u00a0 \u2018\u2019Guernica\u2019\u2019 tablosunun ise bize s\u00f6ylemek istedi\u011fi \u00e7ok \u015fey var. Sava\u015fa nefreti simgeliyor adeta. Sava\u015f\u0131n ac\u0131l\u0131 y\u00f6nlerini ortaya koyan Picasso, her f\u0131r\u00e7a darbesiyle h\u00fcz\u00fcn atm\u0131\u015ft\u0131r tabloya. Alt\u00fcst olan ya\u015famlar resmin her santimetresinde can \u00e7eki\u015fmektedir. \u0130spanyol k\u00fclt\u00fcr\u00fcn\u00fcn simgeleri olan bo\u011fa ve at fig\u00fcr\u00fc de resminde yer bulmu\u015ftur.<\/p>\n\n\n\n

\"\"
Guernica- Pablo Picasso<\/figcaption><\/figure>\n\n\n\n

Picasso, \u2018\u2019Nesneleri olduklar\u0131 gibi \u00e7iziyorum\u2019\u2019 ifadesini kullanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

\u00a0 Umar\u0131m bir g\u00fcn Picasso\u2019yu daha iyi ve daha do\u011fru anlar\u0131z. F\u0131r\u00e7a darbeleriyle migren krizleri aras\u0131ndaki ba\u011flant\u0131 da ba\u011flant\u0131s\u0131zl\u0131k da a\u00e7\u0131\u011fa kavu\u015fmu\u015f olur.<\/p>\n\n\n\n

KAYNAK\u00c7A;<\/h2>\n\n\n\n

https:\/\/www.sciencedaily.com\/releases\/2019\/02\/190226112334.htm<\/a><\/p>\n\n\n\n

https:\/\/www.sciencedaily.com\/releases\/2016\/12\/161221125517.htm<\/a><\/p>\n\n\n\n

https:\/\/www.sciencedaily.com\/releases\/2021\/07\/210723131218.htm<\/a><\/p>\n\n\n\n

https:\/\/www.sciencedaily.com\/releases\/2007\/04\/070410182854.htm<\/a><\/p>\n\n\n\n

https:\/\/www.sciencedaily.com\/releases\/2018\/02\/180217113645.htm<\/a><\/p>\n\n\n\n

Haan J, Ferrari MD. Picasso\u2019s migraine: Illusory cubist splitting or illusion? Cephalalgia. 2011;31(9):1057-60.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0\u00a0\u00a0\u00a0\u00a0 Yirminci as\u0131r sanat\u0131na damga vuran ressam, heykeltra\u015f, \u015fair ve oyun yazar\u0131 Pablo Picasso. K\u00fcbizmle modern \u00e7a\u011f\u0131 sallayan sanat\u00e7\u0131. Do\u011fdu\u011fu<\/p>\n","protected":false},"author":582,"featured_media":11066,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[465,2092,2158,616,66],"acf":[],"views":1084,"_links":{"self":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/11064"}],"collection":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/users\/582"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/comments?post=11064"}],"version-history":[{"count":2,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/11064\/revisions"}],"predecessor-version":[{"id":11072,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/11064\/revisions\/11072"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media\/11066"}],"wp:attachment":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media?parent=11064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/categories?post=11064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/tags?post=11064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}