{"id":11537,"date":"2022-06-26T17:55:47","date_gmt":"2022-06-26T14:55:47","guid":{"rendered":"http:\/\/blog.ulubat.org\/?p=11537"},"modified":"2022-06-26T17:58:07","modified_gmt":"2022-06-26T14:58:07","slug":"insanin-kendini-yaralamasi","status":"publish","type":"post","link":"https:\/\/blog.ulubat.org\/index.php\/genel\/insanin-kendini-yaralamasi\/","title":{"rendered":"\u0130nsan\u0131n Kendini Yaralamas\u0131"},"content":{"rendered":"\n
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\"\"<\/figure><\/div><\/div>\n<\/div>\n\n\n\n

Ki\u015finin Kendini Yaralamas\u0131:<\/u><\/strong><\/h2>\n\n\n\n

Ac\u0131 \u00e7eken insanlar\u0131n bedenlerini bilin\u00e7li bir \u015fekilde yaralamas\u0131 etkiledi beni. \u00d6ld\u00fcrmeyecek ya da sakat b\u0131rakmayacak kadar eylemi s\u00fcrd\u00fcrmek, bedenin toplumsal kutsall\u0131\u011f\u0131na kar\u015f\u0131d\u0131r. Bahsetti\u011fim \u00f6l\u00fcm\u00fcn s\u0131n\u0131rlar\u0131ndaki bu davran\u0131\u015f, gizli bir \u00f6l\u00fcm iste\u011fi de\u011fildir. Aksine birey varolu\u015funu, ki\u015fisel de\u011ferini s\u0131nar. Bu gizili bir ya\u015fama arzusu, ya\u015fad\u0131\u011f\u0131n\u0131 hissetme, daha az ac\u0131 \u00e7ekme eylemidir. Bir \u00e7e\u015fit paradoksal antropolojidir.<\/p>\n\n\n\n

Bedensel b\u00fct\u00fcnl\u00fc\u011fe verilen zararlar genel olarak bir \u00f6l\u00fcm ihtimali getirmezler. Bunlar intihar giri\u015fimleri de\u011fil, ya\u015fama giri\u015fimleridir. Feda edilebilecek olan\u0131 feda ederek, kendinden bir par\u00e7ay\u0131 vermeye raz\u0131 olarak bedene anlam y\u00fcklemenin son bi\u00e7imidir. Bu bir \u0131st\u0131rap de\u011fil, \u0131st\u0131raba kar\u015f\u0131 \u00e7\u0131kmad\u0131r, anlam vermedir. Genelde bedenin ilk hedef al\u0131nan yeri bilektir. \u00d6n kol, g\u00f6\u011f\u00fcs, kar\u0131n ya da bacaklar da kesilir. Y\u00fcze dokunulmaz pek, \u00e7\u00fcnk\u00fc y\u00fcz kutsal benlik ilkesine g\u00f6re, benli\u011fin en kutsal yeridir. E\u011fer y\u00fcz kesilmeye ba\u015fl\u0131yorsa birey, normal ya\u015fam\u0131n d\u0131\u015f\u0131na ad\u0131m atm\u0131\u015f, psikoz belirtileri g\u00f6stermeye ba\u015flam\u0131\u015f demektir.<\/p>\n\n\n\n

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Ge\u00e7i\u015f Ritleri:<\/u><\/strong><\/h2>\n\n\n\n

Eski kabilelerinin ge\u00e7i\u015f ritlerinde bedenlere \u00e7e\u015fitli m\u00fcdahaleler g\u00f6r\u00fcl\u00fcr. \u0130nsan bedeni herkesin kendisine g\u00f6re yonttu\u011fu basit bir a\u011fa\u00e7 par\u00e7as\u0131 gibi g\u00f6r\u00fclm\u00fc\u015ft\u00fcr: Fazlal\u0131klar kesilmi\u015f, delikler a\u00e7\u0131lm\u0131\u015f, d\u00fcz y\u00fczeylerde yaralar a\u00e7\u0131lm\u0131\u015f ve b\u00fct\u00fcn bunlar kimi zaman hayallerin ger\u00e7ekten ba\u015f\u0131bo\u015f b\u0131rak\u0131lmas\u0131yla ger\u00e7ekle\u015fmi\u015ftir. Bu olgular kesin bir farkl\u0131la\u015fma arac\u0131d\u0131r.<\/p>\n\n\n\n

Bedendeki iz, bedene k\u00f6k salan ac\u0131 de\u011fi\u015fimle birliktedir. Bir toplumsal d\u00fcnyadan ba\u015fka bir toplumsal d\u00fcnyaya ge\u00e7i\u015ftir. Ge\u00e7i\u015f ritlerinde \u00e7ekilen bu ac\u0131, genci b\u00fct\u00fcn haklara sahip bir erkek yapar.  Bir\u00e7ok toplumda acemi gen\u00e7ler ac\u0131lar\u0131na katlan\u0131rlarken ve do\u011fadan daha g\u00fc\u00e7l\u00fc olduklar\u0131n\u0131 g\u00f6sterirlerken, bedenleri de de\u011fi\u015fiklik ge\u00e7irir. S\u00f6zgelimi A\u015fe kabilesinde, erkeklik \u00e7a\u011f\u0131na giri\u015fte s\u0131rta derin bir yara a\u00e7\u0131l\u0131r. Gencin s\u0131rt\u0131 omuz hizas\u0131ndan bele kadar sivri bir ta\u015fla kesilir. Ac\u0131 korkun\u00e7tur ama ac\u0131y\u0131 \u00e7eken gencin yak\u0131nd\u0131\u011f\u0131 ya da inleyip a\u011flad\u0131\u011f\u0131, s\u0131zland\u0131\u011f\u0131 duyulmaz. Bilincini yitirir belki ama di\u015fini s\u0131kar. Yi\u011fitli\u011fi ve erkek s\u0131n\u0131f\u0131na dahil oldu\u011fu bu sessizli\u011fiyle de\u011ferlendirilir.<\/p>\n\n\n\n

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Resim <a href=”https:\/\/pixabay.com\/tr\/users\/adinavoicu-485024\/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=1011138″>Adina Voicu<\/a> taraf\u0131ndan <a href=”https:\/\/pixabay.com\/tr\/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=1011138″>Pixabay<\/a>’a y\u00fcklendi<\/u><\/figcaption><\/figure><\/div><\/div>\n<\/div>\n\n\n\n

Hapishane ortam\u0131nda bedene bilin\u00e7li olarak zarar verme:<\/u><\/strong><\/h2>\n\n\n\n

Hapishane ya\u015fam\u0131nda mahkumlar\u0131n fiziki b\u00fct\u00fcnl\u00fcklerine zarar vermeleri \u00e7ok s\u0131k g\u00f6r\u00fclen bir olayd\u0131r. \u00d6zellikle kad\u0131nlarda daha s\u0131k g\u00f6r\u00fcl\u00fcr. Bunun psikolojisi alt\u0131nda pek \u00e7ok farkl\u0131 neden yatabilir. \u00d6rnek vermek gerekirse, bir tutuklu h\u00fccredeki arkada\u015flar\u0131 taraf\u0131ndan tehdit edildi\u011fi izlemine kap\u0131l\u0131r. Ist\u0131rap ve hapishane y\u00f6netimine bask\u0131 yapma duygular\u0131 i\u00e7inde, jiletle bile\u011finin bir\u00e7ok yerini keser. Hekim derhal hastaneye g\u00f6nderilmesine raz\u0131 olur. A\u00e7\u0131k bir bi\u00e7imde i\u015fi bu kadar u\u00e7 noktalar g\u00f6t\u00fcren mahkumlar, b\u00f6ylelikle bu i\u015fin bir \u00f6l\u00fcm ya da kal\u0131m meselesi oldu\u011fu mesaj\u0131n\u0131 g\u00f6nderirler.<\/p>\n\n\n\n

Bedendeki yara sadece mahkum olarak de\u011fil, birey olarak da tan\u0131nmak i\u00e7in ba\u015fvurulan son \u00e7aredir. \u0130lgi ve tedavi gerektirir, dikkat \u00e7ekme bi\u00e7imi, \u00f6l\u00fcmc\u00fcl rutinden kopmad\u0131r. 39 ya\u015f\u0131ndaki bir mahkum \u015f\u00f6yle diyor:<\/p>\n\n\n\n

\u201cBedenime kesikler atarak kendimi kurtarmaya \u00e7al\u0131\u015f\u0131yorum. Aptalca bir \u015fey gibi g\u00f6z\u00fckebilir ama i\u015fe yar\u0131yor. Bedenime kesikler att\u0131\u011f\u0131mda insanlar yard\u0131m ediyor bana. \u201c<\/p><\/blockquote>\n\n\n

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https:\/\/www.flickr.com\/photos\/studentecommosso\/6901851015\/in\/photolist-bvTMRi-bvTPX8-uHhDZ8-bvTKSg-bvTLMF-bvTK7D-bw8b2s-bw89Xj-bK2WBz-bw8b8C-bK2Vat-bK2UrF-2mk4gjL-bK2TN8-bK2Viv-bw8aZu-bw8a1Y-bw8c9q-bK2VY6-bw8abL-bw8c49-bw8b4h-bK2VAT-bw89Cb-bK2UBT-bK2UnV-bw89aA-bK2TVe-bw891s-bK2UiX-bK2UHa-bw8aVo-bw8bYS-bw89cQ-bw89pN-bK2VQV-bK2TLe-ahm1P1-2kWPKoT-CJgmki-Ta8WtQ-KaoK4h-2n8jMoM-H1jXqz-KW9H91-2h1D64Y-bw88Ys-bK2Uu8-bK2VK8-bK2Vpa<\/a><\/figcaption><\/figure><\/div>\n\n\n

Body Art, Performanslar:<\/u><\/strong><\/h2>\n\n\n\n

Body art performanslar\u0131nda bir\u00e7ok sanat\u00e7\u0131 soyunur, bedenini te\u015fhir eder, s\u00fcsler, tahrip eder, y\u0131rtar, yakar, keser, ba\u015fka \u015feyler ekler bedenine. Burada ac\u0131n\u0131n de\u011feri y\u00fcceltilmez, kurtar\u0131c\u0131 ya da b\u00fcy\u00fct\u00fcc\u00fc de\u011fildir; ilgisiz, kay\u0131ts\u0131zd\u0131r. Ku\u015fkusuz bunun en iyi \u00f6rne\u011fi Gina Pane\u2019dir.<\/p>\n\n\n\n

Gina Pane, Yanan mumlar\u0131n \u00fczerine uzanarak do\u011furan kad\u0131n\u0131n ac\u0131s\u0131n\u0131 simgeler. Ist\u0131rab\u0131n\u0131 d\u0131\u015fa vurmaz, mikrofondan hi\u00e7 ses gelmez: Kad\u0131n ses \u00e7\u0131karmamak zorundad\u0131r. Son safhada s\u0131cak s\u00fct gargaras\u0131 yapar ve kan s\u00fcte kar\u0131\u015f\u0131ncaya kadar devam eder. Kad\u0131n olman\u0131n ko\u015fullar\u0131n\u0131n iki simgesini h\u00fcz\u00fcnl\u00fc bir bi\u00e7imde birle\u015ftirir: s\u00fct ve kan.<\/p>\n\n\n\n

Ayr\u0131ca d\u00f6vme ve piercing de bu ba\u011flamda de\u011ferlendirilmektedir.<\/p>\n\n\n\n

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Kaynak\u00e7a:<\/u><\/strong><\/h2>\n\n\n\n
  • Le Breton D., Anthropologie de la douleur, Paris Metaille, 1995<\/li>
  • Le Breton D., Understanding Skin-cutting in Adolescence: Sacrificing a Part to Save the Whole, Paris, 2018<\/li>
  • Clastres P., Chronique des Indiens Guayaki, Paris, Plon, 1972<\/li>
  • Toch H, Men in crisis: human breakdowns in prison, Chicago, Adline, 1975<\/li>
  • Van Gennep A., Les Rites de passage, Paris, Picard, 1991<\/li><\/ul>\n\n\n\n

    <\/p>\n","protected":false},"excerpt":{"rendered":"

    Ki\u015finin Kendini Yaralamas\u0131: Ac\u0131 \u00e7eken insanlar\u0131n bedenlerini bilin\u00e7li bir \u015fekilde yaralamas\u0131 etkiledi beni. \u00d6ld\u00fcrmeyecek ya da sakat b\u0131rakmayacak kadar eylemi<\/p>\n","protected":false},"author":1138,"featured_media":11547,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2175,1],"tags":[1088,2183,2182,2184,125,62,143,66],"acf":[],"views":356,"_links":{"self":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/11537"}],"collection":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/users\/1138"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/comments?post=11537"}],"version-history":[{"count":3,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/11537\/revisions"}],"predecessor-version":[{"id":11549,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/11537\/revisions\/11549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media\/11547"}],"wp:attachment":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media?parent=11537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/categories?post=11537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/tags?post=11537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}