{"id":14208,"date":"2023-10-10T15:51:21","date_gmt":"2023-10-10T12:51:21","guid":{"rendered":"http:\/\/blog.ulubat.org\/?p=14208"},"modified":"2023-10-10T15:51:25","modified_gmt":"2023-10-10T12:51:25","slug":"karanliga-burunmus-bir-zihinden-yansimalar","status":"publish","type":"post","link":"https:\/\/blog.ulubat.org\/index.php\/genel\/karanliga-burunmus-bir-zihinden-yansimalar\/","title":{"rendered":"Karanl\u0131\u011fa B\u00fcr\u00fcnm\u00fc\u015f Bir Zihinden Yans\u0131malar"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

\u201c<\/strong><\/em>Sanat\u0131mda hayat\u0131m\u0131 ve onun anlam\u0131n\u0131 kendime anlatmaya \u00e7al\u0131\u015f\u0131yorum.\u201d                                                              <\/strong><\/p>\n\n\n\n

 Edvard Munch<\/strong><\/em><\/p>\n\n\n\n

\u00a0Sanat insan\u0131n kendini anlamland\u0131rma ve ifade etme arac\u0131d\u0131r. Ruhun derinliklerine inip insan psikolojisini tan\u0131mlayabilmedeki katk\u0131s\u0131 yads\u0131namaz bir ger\u00e7ektir. Bunun en \u00f6nemli \u00f6rneklerinden biri de evrensel bir anksiyete sembol\u00fc olan \u201c\u00c7\u0131\u011fl\u0131k\u201d tablosuyla Norve\u00e7li ressam Edvard Munch\u2019t\u0131r. 19. y\u00fczy\u0131l sonlar\u0131na do\u011fru end\u00fcstriyelle\u015fme ve ekonomideki dalgalanmalar Avrupa\u2019y\u0131 anksiyete, hastal\u0131klar ve kaotik bir politik atmosfer i\u00e7erisinde b\u0131rakm\u0131\u015ft\u0131. Edvard Munch, 1863\u2019te Norve\u00e7\u2019te, i\u015fte bu \u00e7alkant\u0131l\u0131 d\u00f6nemde do\u011fmu\u015ftu. Hastal\u0131k kavram\u0131yla da maalesef ki \u00e7ok k\u00fc\u00e7\u00fck ya\u015flarda tan\u0131\u015fan Munch, annesini ve k\u0131z karde\u015fini t\u00fcberk\u00fclozdan, erkek karde\u015fini ise pn\u00f6moniden kaybetti. Bir doktor olan babas\u0131n\u0131n zor durumdaki pek \u00e7ok hastay\u0131 \u00e7aresizce kurtarmaya \u00e7al\u0131\u015fmas\u0131n\u0131 izleyerek b\u00fcy\u00fcd\u00fc.\u00a0\u00a0Ailesinde psikiyatrik rahats\u0131zl\u0131klar da yayg\u0131nd\u0131, k\u0131z karde\u015fi Laura\u2019n\u0131n \u015fizofrenisi, babas\u0131 ve dedesinin ise depresyonu vard\u0131. Babas\u0131n\u0131n kat\u0131 kurallar\u0131 ve sert tutumu, k\u00f6t\u00fc ekonomik ko\u015fullar ve k\u00fc\u00e7\u00fck ya\u015fta aile fertlerinin hastal\u0131klarla bo\u011fu\u015fmas\u0131na tan\u0131kl\u0131k etmesi ki\u015fili\u011finde izi \u00e7\u0131kamayacak yaralar b\u0131rakt\u0131. Bu ilk darbelerin \u00fczerine, hayat\u0131n\u0131n ilerleyen d\u00f6nemlerinde tutkusu olan resim alan\u0131nda umdu\u011fu ba\u015far\u0131y\u0131 yakalayamamas\u0131, toplumda kendini ve a\u015fk\u0131 bulamay\u0131\u015f\u0131, bitmek bilmeyen bir hayat ko\u015fu\u015fturmacas\u0131n\u0131n i\u00e7erisinde gitgide i\u00e7ine kapanmas\u0131 ve kalabal\u0131klar i\u00e7erisinde hissetti\u011fi yaln\u0131zl\u0131k da eklenince alkolizm, melankoli ve anksiyete i\u00e7erisinde ge\u00e7en, aray\u0131\u015flarla dolu bir hayat\u0131 oldu. Resimlerinden de yakalayabilece\u011fimiz ipu\u00e7lar\u0131na dayanarak, Munch\u2019\u0131n depresyon, anksiyete ve bipolar bozukluk tan\u0131lar\u0131 alm\u0131\u015f olabilece\u011fini g\u00f6rmekteyiz. \u201cHayat\u0131n Frizleri\u201d adl\u0131 serisinde i\u015fledi\u011fi temalar melankoli, \u00f6l\u00fcm, hastal\u0131k, anksiyete ve yaln\u0131zl\u0131kt\u0131. Bu seriyi Munch, kendi g\u00f6rsel g\u00fcnl\u00fc\u011f\u00fc ve \u00e7ocuklar\u0131 gibi g\u00f6r\u00fcyordu ve onlardan ayr\u0131 kalmaktan korktu\u011fu i\u00e7in her resminin birka\u00e7 kopyas\u0131n\u0131 daha yapm\u0131\u015ft\u0131. Ayr\u0131ca resimlerine canl\u0131 birer varl\u0131km\u0131\u015f gibi davranarak kendi ak\u0131betlerini bulup \u015fekillenecekleri inanc\u0131yla onlar\u0131 do\u011fa ko\u015fullar\u0131na maruz b\u0131rak\u0131yordu. Hayat\u0131ndaki bo\u015fluklar\u0131 resimleriyle doldurmaya \u00e7al\u0131\u015f\u0131yordu.<\/p>\n\n\n\n

Hayat\u0131n Frizleri<\/h2>\n\n\n\n

Hasta \u00c7ocuk<\/h3>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Bu duygu y\u00fckl\u00fc resimde Munch, k\u0131z karde\u015finin t\u00fcberk\u00fclozdan \u00f6lmeden \u00f6nceki an\u0131n\u0131 g\u00f6zler \u00f6n\u00fcne sermi\u015ftir. Sevdi\u011fi birini kaybetmenin ac\u0131s\u0131 onda \u00e7ok b\u00fcy\u00fck ac\u0131lar b\u0131rakm\u0131\u015ft\u0131r ve bu resmi defalarca kez tekrardan resmetmi\u015ftir.\u00a0<\/p>\n\n\n\n

\u0130spanyol Gribi ile Otoportre<\/h3>\n\n\n\n
\"\"<\/figure>\n\n\n\n

1918\/19 y\u0131l\u0131nda Munch, o d\u00f6nem Avrupa\u2019y\u0131 kas\u0131p kavuran \u0130spanyol gribine yakalanm\u0131\u015ft\u0131. Birazc\u0131k iyile\u015fmeye ba\u015flad\u0131\u011f\u0131nda hastal\u0131\u011f\u0131n\u0131n a\u00e7\u0131k\u00e7a izlendi\u011fi birka\u00e7 otoportresini yapm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

S\u0131kl\u0131kla sar\u0131 ve beyaz tonlar\u0131n\u0131 kullanarak hastal\u0131\u011f\u0131n sebep oldu\u011fu solgunluk ve bitkinli\u011fi yans\u0131tm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

\u00c7\u0131\u011fl\u0131k<\/h3>\n\n\n\n
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\u201c\u0130ki arkada\u015f\u0131mla beraber y\u00fcr\u00fcyordum. G\u00fcne\u015f batt\u0131 ve aniden g\u00f6ky\u00fcz\u00fc kan k\u0131rm\u0131z\u0131s\u0131na b\u00fcr\u00fcnd\u00fc. Bir melankoli dalgas\u0131 hissettim. T\u00fckenmi\u015f bir \u015fekilde duraklad\u0131m ve parmakl\u0131klara yasland\u0131m, koyu mavi fiyordun ve \u015fehrin \u00fczerinde, alevler i\u00e7indeki g\u00f6ky\u00fcz\u00fc kan ve k\u0131l\u0131\u00e7 gibi sark\u0131yordu. Arkada\u015flar\u0131m y\u00fcr\u00fcmeye devam ettiler. Bense korku i\u00e7inde titreyerek durdum, do\u011fan\u0131n i\u00e7inden ge\u00e7en ve bitmeyen \u00e7\u0131\u011fl\u0131\u011f\u0131 hissetim.\u201d G\u00fcnl\u00fc\u011f\u00fcndeki bu s\u00f6zlerinden de anla\u015f\u0131ld\u0131\u011f\u0131 gibi \u201c\u00c7\u0131\u011fl\u0131k\u201d asl\u0131nda karma\u015fan\u0131n ve g\u00fcnl\u00fck hayat\u0131n o yorucu rutininin aras\u0131nda art\u0131k dizginlenemeyen varolu\u015fsal \u0131zd\u0131rab\u0131n d\u0131\u015favurumu ve anksiyetenin yard\u0131m \u00e7a\u011fr\u0131s\u0131d\u0131r.  Bu \u00fcnl\u00fc tabloda ressam\u0131n kendi i\u00e7 d\u00fcnyas\u0131n\u0131 temsil eden fig\u00fcr i\u00e7in de Perulu bir mumyadan ilham ald\u0131\u011f\u0131 s\u00f6ylenmektedir. <\/p>\n\n\n\n

Karl Johan’da Ak\u015fam<\/h3>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Bu resimde de insanlar\u0131n her birinin y\u00fcz\u00fcnden kayg\u0131 ve melankoli okunabilmektedir. Ressam, topluma yabanc\u0131la\u015fma ve yaln\u0131zl\u0131k mesaj\u0131lar\u0131n\u0131 vermektedir.<\/p>\n\n\n\n

Kayg\u0131<\/h3>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Melankoli<\/h3>\n\n\n\n
\"\"<\/figure>\n\n\n\n

\u00c7aresizlik<\/h3>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\n

T\u0131bb\u0131n sanatla b\u00fct\u00fcnle\u015fik yan\u0131n\u0131 kavrayabilmek, te\u015fhiste sanat\u0131n nas\u0131l rol oynayabilece\u011fini g\u00f6rebilmek ad\u0131na Edvard Munch g\u00fczel bir \u00f6rnektir. Onun resimlerine bakarak, psikiyatrik bozukluklar\u0131 olan bir ki\u015finin mental durumu \u00fczerine yorumlar yapabilmek; d\u00f6nemin ko\u015fullar\u0131n\u0131, hastal\u0131klar\u0131n ve \u00f6l\u00fcmlerin nas\u0131l meydana geldi\u011fini anlayabilmek m\u00fcmk\u00fcnd\u00fcr. 20. y\u00fczy\u0131lda travmatik olaylar\u0131n tekrar tekrar canland\u0131r\u0131p ya\u015fan\u0131lmas\u0131 olan \u201cYineleme Saplant\u0131s\u0131\u201d konusunda ara\u015ft\u0131rma yapan Sigmund Freud, hayat\u0131ndaki k\u00f6t\u00fcmser temalar ve ya\u015fad\u0131\u011f\u0131 duygu durum bozukluklar\u0131 etraf\u0131nda, hep ayn\u0131 motifleri kullanan Edvard Munch\u2019a da bu tan\u0131y\u0131 koyabilirdi. Munch, resimlerine s\u0131k\u0131\u015ft\u0131rd\u0131\u011f\u0131 tekrarl\u0131 sembolik unsurlar ve k\u00fc\u00e7\u00fck n\u00fcanslarla sembolizm ve d\u0131\u015favurumculuk ak\u0131m\u0131n\u0131n ortaya \u00e7\u0131kmas\u0131nda rol oynam\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Kaynak\u00e7a<\/h2>\n\n\n\n

https:\/\/www.cambridge.org\/core\/journals\/bjpsych-advances\/article\/art-of-edvard-munch-a-window-onto-a-mind\/747AD9F91000C9CF26957BE8E88C4E8D<\/a><\/p>\n\n\n\n

https:\/\/www.britannica.com\/biography\/Edvard-Munch<\/a><\/p>\n\n\n\n

https:\/\/pubmed.ncbi.nlm.nih.gov\/24121581\/<\/a><\/p>\n\n\n\n

https:\/\/www.edvardmunch.org\/link.jsp<\/a><\/p>\n\n\n\n

https:\/\/tidsskriftet.no\/2010\/10\/medisin-og-kunst\/edvard-munch-og-spanskesyken<\/a><\/p>\n\n\n\n

https:\/\/www.youtube.com\/watch?v=d50FbuyswAU<\/a> (Great Art Explained)<\/p>\n\n\n\n

https:\/\/www.tate.org.uk\/art\/artworks\/munch-the-sick-child-n05035<\/a><\/p>\n\n\n\n

https:\/\/www.economist.com\/1843\/2019\/04\/24\/the-personal-trauma-that-lies-behind-edvard-munchs-unnerving-art<\/a><\/p>\n\n\n\n

https:\/\/historydaily.org\/scream-edvard-munch-facts-stories-trivia\/2<\/a><\/p>\n\n\n\n

<\/p>\n<\/div><\/div>\n\n\n\n

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<\/p>\n\n\n\n

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\u201cSanat\u0131mda hayat\u0131m\u0131 ve onun anlam\u0131n\u0131 kendime anlatmaya \u00e7al\u0131\u015f\u0131yorum.\u201d                        <\/p>\n","protected":false},"author":1812,"featured_media":14226,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1,2139],"tags":[92,125,616,66],"acf":[],"views":69,"_links":{"self":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/14208"}],"collection":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/users\/1812"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/comments?post=14208"}],"version-history":[{"count":8,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/14208\/revisions"}],"predecessor-version":[{"id":14233,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/14208\/revisions\/14233"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media\/14226"}],"wp:attachment":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media?parent=14208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/categories?post=14208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/tags?post=14208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}