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\u00d6rne\u011fin, Hans Holbein the Younger’\u0131n “Danse Macabre (\u00d6l\u00fcm Dans\u0131) ” adl\u0131 41 ah\u015fap bask\u0131dan olu\u015fan eseri, gen\u00e7-ya\u015fl\u0131, zengin-fakir, k\u00f6yl\u00fc-prens, her kesimden 41 ki\u015finin g\u00fcndelik hayat\u0131na \u00f6l\u00fcm\u00fcn nas\u0131l birden dahil oldu\u011funu g\u00f6sterir. Bu bask\u0131larda \u00f6l\u00fcm bir ceza ya da k\u00f6t\u00fcl\u00fckten ziyade insan\u0131 hayat\u0131n y\u00fck\u00fcnden, k\u00f6t\u00fcl\u00fcklerinden, hastal\u0131klar\u0131ndan kurtaracak bir deva olarak yans\u0131t\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n\n
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\u00a0Pieter Bruegel the Elder’\u0131n “The Triumph of Death (\u00d6l\u00fcm\u00fcn Zaferi)” adl\u0131 eseri ise Holbein\u2019dan farkl\u0131 olarak veban\u0131n y\u0131k\u0131c\u0131 etkilerini g\u00f6zler \u00f6n\u00fcne sermek i\u00e7in u\u011fra\u015f\u0131r. \u00d6l\u00fcm\u00fcn s\u0131radan \u015feylere kar\u015f\u0131 kazand\u0131\u011f\u0131 zafer, b\u00fcy\u00fck bir iskelet ordusu taraf\u0131ndan sembolize edilir. Arka planda y\u0131k\u0131m\u0131n hala devam etti\u011finin g\u00f6stergesi olarak \u00e7orak bir arazi, \u00f6ndeyse \u201cya\u015fayanlar\u0131n\u201d d\u00fcnyas\u0131n\u0131n \u00f6l\u00fcm taraf\u0131ndan yok edili\u015fi resmedilmi\u015ftir. Ya\u015fayanlar\u0131n aras\u0131nda t\u00fcm s\u0131n\u0131flardan insanlar\u0131n bulunmas\u0131, sosyal s\u0131n\u0131f ayr\u0131mlar\u0131n\u0131n anlams\u0131zl\u0131\u011f\u0131n\u0131 g\u00f6sterir.<\/p>\n\n\n\n
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Veba, o kadar \u00e7ok \u00f6l\u00fcm\u00fc beraberinde getirmi\u015ftir ki \u00e7o\u011fu ki\u015fi buna mant\u0131kl\u0131 bir a\u00e7\u0131klama bulamam\u0131\u015ft\u0131r. Bu g\u00f6r\u00fcn\u00fc\u015fte mant\u0131ks\u0131z felakete ve gerek\u00e7e eksikli\u011fine yan\u0131t olarak, bir\u00e7o\u011fu bu veban\u0131n g\u00fcnahkar bir insanl\u0131\u011f\u0131 ziyaret eden Tanr\u0131’n\u0131n do\u011fru yarg\u0131s\u0131n\u0131n kan\u0131t\u0131 oldu\u011funa inanarak dine y\u00f6nelmi\u015ftir. Josse Lieferinxe gibi sanat\u00e7\u0131lar da sanatsal ifade yoluyla Tanr\u0131’n\u0131n yarg\u0131s\u0131na ve merhametine mecburiyeti g\u00f6stermek i\u00e7in bu duygular\u0131 tuvale ve di\u011fer sanatsal ortamlara yerle\u015ftirme ihtiyac\u0131 hissetmi\u015flerdir. Josse Lieferinxe’in “The Plague in Florence (Floransa’da Veba)” eserinde dine inananlardan olu\u015fan toplumun bu felaketle nas\u0131l ba\u015fa \u00e7\u0131kmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 anlat\u0131l\u0131r.<\/p>\n\n\n\n
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Bahsedilen eserlerde, veba salg\u0131nlar\u0131n\u0131n getirdi\u011fi ac\u0131, \u00f6l\u00fcm ve kaosun yan\u0131 s\u0131ra; insan\u0131n k\u0131r\u0131lganl\u0131\u011f\u0131, ya\u015fam\u0131n k\u0131sa s\u00fcrelili\u011fi ve \u00f6l\u00fcm\u00fcn evrenselli\u011fi gibi felsefi temalar i\u015flenir. Bu sanat eserleri, veba salg\u0131nlar\u0131n\u0131n toplumsal travmaya neden olan etkilerini g\u00fcn\u00fcm\u00fcze ta\u015f\u0131yan \u00f6nemli belgelerdir. \u0130nsan\u0131n k\u0131r\u0131lganl\u0131\u011f\u0131 ve ya\u015fam\u0131n ge\u00e7icili\u011fi gibi temalar, sanat\u0131n evrensel bir dille insan\u0131n varolu\u015fsal durumunu anlatmas\u0131na olanak tan\u0131m\u0131\u015ft\u0131r.<\/p>\n\n\n\n
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Kaynak\u00e7a<\/strong><\/p>\n\n\n\n G\u00f6rseller:<\/em><\/p>\n\n\n\n Hans Holbein, Danse Macabre: https:\/\/en.m.wikipedia.org\/wiki\/File:Holbein_Danse_Macabre_15.jpg<\/a><\/p>\n\n\n\n Pieter Bruegel the Elder, The Triumph of Death: https:\/\/www.museodelprado.es\/en\/the-collection\/art-work\/the-triumph-of-death\/d3d82b0b-9bf2-4082-ab04-66ed53196ccc<\/a><\/p>\n\n\n\n Josse Lieferinxe, The Plague in Florence: https:\/\/en.m.wikipedia.org\/wiki\/File:Josse_Lieferinxe_-_Saint_Sebastian_Interceding_for_the_Plague_Stricken_-_Walters_371995.jpg<\/a><\/p>\n\n\n\n Yaz\u0131lar:<\/em><\/p>\n\n\n\n Life in a Time of Plague and Beyond, Paul C. Lerson: https:\/\/journals.sagepub.com\/doi\/full\/10.1177\/0022167820946559<\/a><\/p>\n\n\n\n Kara \u00d6l\u00fcm: 1348 Veba Salg\u0131n\u0131 Ve Orta\u00e7a\u011f Avrupa\u2019s\u0131na Etkileri, \u00d6zlem Gen\u00e7: https:\/\/dergipark.org.tr\/tr\/download\/article-file\/144812<\/a><\/p>\n\n\n\n Hans Holbein\u2019s Dance of Death (1523\u20135), Ned Pennant-Rea: https:\/\/publicdomainreview.org\/collection\/hans-holbeins-dance-of-death-1523-5\/<\/a><\/p>\n\n\n\n Kara \u00d6l\u00fcm ve Avrupa Sanat\u0131, <\/em>Ali Artun: https:\/\/www.e-skop.com\/skopdergi\/kara-olum-ve-avrupa-sanati\/5735<\/a><\/p>\n\n\n\n
![https:\/\/en.m.wikipedia.org\/wiki\/File:Holbein_Danse_Macabre_15.jpg<\/a><\/p>\n\n\n\nPieter Bruegel the Elder, The Triumph of Death: https:\/\/www.museodelprado.es\/en\/the-collection\/art-work\/the-triumph-of-death\/d3d82b0b-9bf2-4082-ab04-66ed53196ccc<\/a><\/p>\n\n\n\nJosse Lieferinxe, The Plague in Florence: https:\/\/en.m.wikipedia.org\/wiki\/File:Josse_Lieferinxe_-_Saint_Sebastian_Interceding_for_the_Plague_Stricken_-_Walters_371995.jpg<\/a><\/p>\n\n\n\nYaz\u0131lar:<\/em><\/p>\n\n\n\nLife in a Time of Plague and Beyond, Paul C. Lerson: https:\/\/journals.sagepub.com\/doi\/full\/10.1177\/0022167820946559<\/a><\/p>\n\n\n\nKara \u00d6l\u00fcm: 1348 Veba Salg\u0131n\u0131 Ve Orta\u00e7a\u011f Avrupa\u2019s\u0131na Etkileri, \u00d6zlem Gen\u00e7: https:\/\/dergipark.org.tr\/tr\/download\/article-file\/144812<\/a><\/p>\n\n\n\nHans Holbein\u2019s Dance of Death (1523\u20135), Ned Pennant-Rea: https:\/\/publicdomainreview.org\/collection\/hans-holbeins-dance-of-death-1523-5\/<\/a><\/p>\n\n\n\nKara \u00d6l\u00fcm ve Avrupa Sanat\u0131, <\/em>Ali Artun: https:\/\/www.e-skop.com\/skopdergi\/kara-olum-ve-avrupa-sanati\/5735<\/a><\/p>\n\n\n\nhttps:\/\/www.museodelprado.es\/en\/the-collection\/art-work\/the-triumph-of-death\/d3d82b0b-9bf2-4082-ab04-66ed53196ccc<\/a><\/p>\n\n\n\nhttps:\/\/ehistory.osu.edu\/exhibitions\/black-death-digital-exhibit<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Veba, Yersinia Pestis adl\u0131 bir bakterinin neden oldu\u011fu bula\u015f\u0131c\u0131 ve genellikle \u00f6l\u00fcmc\u00fcl olan bir hastal\u0131kt\u0131r. Bula\u015f yolunun fareler ve onlar<\/p>\n","protected":false},"author":1834,"featured_media":14591,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[2455,1775,2456],"acf":[],"views":87,"_links":{"self":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/14589"}],"collection":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/users\/1834"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/comments?post=14589"}],"version-history":[{"count":3,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/14589\/revisions"}],"predecessor-version":[{"id":14596,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/14589\/revisions\/14596"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media\/14591"}],"wp:attachment":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media?parent=14589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/categories?post=14589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/tags?post=14589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/en.m.wikipedia.org\/wiki\/File:Holbein_Danse_Macabre_15.jpg\"){kind=link}
![https:\/\/en.m.wikipedia.org\/wiki\/File:Josse_Lieferinxe_-_Saint_Sebastian_Interceding_for_the_Plague_Stricken_-_Walters_371995.jpg<\/a><\/p>\n\n\n\nYaz\u0131lar:<\/em><\/p>\n\n\n\nLife in a Time of Plague and Beyond, Paul C. Lerson: https:\/\/journals.sagepub.com\/doi\/full\/10.1177\/0022167820946559<\/a><\/p>\n\n\n\nKara \u00d6l\u00fcm: 1348 Veba Salg\u0131n\u0131 Ve Orta\u00e7a\u011f Avrupa\u2019s\u0131na Etkileri, \u00d6zlem Gen\u00e7: https:\/\/dergipark.org.tr\/tr\/download\/article-file\/144812<\/a><\/p>\n\n\n\nHans Holbein\u2019s Dance of Death (1523\u20135), Ned Pennant-Rea: https:\/\/publicdomainreview.org\/collection\/hans-holbeins-dance-of-death-1523-5\/<\/a><\/p>\n\n\n\nKara \u00d6l\u00fcm ve Avrupa Sanat\u0131, <\/em>Ali Artun: https:\/\/www.e-skop.com\/skopdergi\/kara-olum-ve-avrupa-sanati\/5735<\/a><\/p>\n\n\n\nhttps:\/\/www.museodelprado.es\/en\/the-collection\/art-work\/the-triumph-of-death\/d3d82b0b-9bf2-4082-ab04-66ed53196ccc<\/a><\/p>\n\n\n\nhttps:\/\/ehistory.osu.edu\/exhibitions\/black-death-digital-exhibit<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Veba, Yersinia Pestis adl\u0131 bir bakterinin neden oldu\u011fu bula\u015f\u0131c\u0131 ve genellikle \u00f6l\u00fcmc\u00fcl olan bir hastal\u0131kt\u0131r. Bula\u015f yolunun fareler ve onlar<\/p>\n","protected":false},"author":1834,"featured_media":14591,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[2455,1775,2456],"acf":[],"views":87,"_links":{"self":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/14589"}],"collection":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/users\/1834"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/comments?post=14589"}],"version-history":[{"count":3,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/14589\/revisions"}],"predecessor-version":[{"id":14596,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/14589\/revisions\/14596"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media\/14591"}],"wp:attachment":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media?parent=14589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/categories?post=14589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/tags?post=14589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/en.m.wikipedia.org\/wiki\/File:Josse_Lieferinxe_-_Saint_Sebastian_Interceding_for_the_Plague_Stricken_-_Walters_371995.jpg\"){kind=link}