{"id":6306,"date":"2020-07-16T19:49:38","date_gmt":"2020-07-16T16:49:38","guid":{"rendered":"http:\/\/blog.ulubat.org\/?p=6306"},"modified":"2020-07-16T19:49:39","modified_gmt":"2020-07-16T16:49:39","slug":"beni-asla-birakma","status":"publish","type":"post","link":"https:\/\/blog.ulubat.org\/index.php\/genel\/beni-asla-birakma\/","title":{"rendered":"BEN\u0130 ASLA BIRAKMA"},"content":{"rendered":"\n
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\u201c\u00c7\u00fcnk\u00fc belki de sand\u0131\u011f\u0131m\u0131z kadar geride b\u0131rakmam\u0131\u015ft\u0131k bir\u00e7ok \u015feyi. \u0130\u00e7imizde bir \u015fey, bir par\u00e7am\u0131z oldu\u011fu gibi kalm\u0131\u015ft\u0131; etraf\u0131m\u0131zdaki d\u00fcnyadan korkuyorduk ve -kendimize bundan dolay\u0131 ne kadar k\u0131zarsak k\u0131zal\u0131m- birbirimizi b\u0131rakam\u0131yorduk.\u201d<\/p>\n\n\n\n

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 Bug\u00fcn yaz\u0131ma Nobel \u00f6d\u00fcll\u00fc yazar Kazuo Ishiguro\u2019nun en sevdi\u011fim kitab\u0131ndan bir al\u0131nt\u0131 ile ba\u015flamak istedim. Hi\u00e7 d\u00fc\u015f\u00fcnd\u00fcn\u00fcz m\u00fc? Okudu\u011fumuz roman ne kadar distopik olursa olsun ,ya da \u00fctopik, karakterin ya\u015fad\u0131\u011f\u0131 duygularla benzer duygular ya\u015f\u0131yoruz. Otomatik Portakal\u2019\u0131 okurken hissetti\u011fimiz rahats\u0131zl\u0131\u011f\u0131, g\u00fcnl\u00fck hayatta okudu\u011fumuz bir haber  kar\u015f\u0131s\u0131nda da ya\u015fayabiliyoruz. \u00d6nceki yaz\u0131lar\u0131mdan birinde \u201cBakt\u0131\u011f\u0131m\u0131z g\u00f6ky\u00fcz\u00fc ayn\u0131 fakat g\u00f6rd\u00fcklerimiz bamba\u015fka.\u201d demi\u015ftim. Fakat g\u00f6rd\u00fcklerimiz bamba\u015fka olsa bile, birbirimize benzer duygularla ba\u011fl\u0131y\u0131z.  Bundan aylar \u00f6ncesinde, kongremizdeki sunumumuza haz\u0131rlan\u0131rken N\u00f6robilimci Ramachandran\u2019\u0131n g\u00fczel bir TED konu\u015fmas\u0131 ile kar\u015f\u0131la\u015fm\u0131\u015ft\u0131m. Hepimizin ayna n\u00f6ronlar\u0131m\u0131z ile birbirimize ba\u011fl\u0131 oldu\u011funu s\u00f6yl\u00fcyordu. T\u0131pk\u0131 ormandaki a\u011fa\u00e7lar\u0131n k\u00f6kleriyle birbirine ba\u011flanmas\u0131 gibi.  Ayna n\u00f6ronlar sayesinde \u00e7evremizdeki insanlar\u0131n hislerini anlay\u0131p d\u00fczg\u00fcn ileti\u015fim kurabiliyoruz evet, ama ya\u015fad\u0131\u011f\u0131m\u0131z zaman ve ger\u00e7eklikten ba\u011f\u0131ms\u0131z olan hayali bir karaktere nas\u0131l bu kadar ba\u011flan\u0131p onun d\u00fcnyas\u0131nda ya\u015f\u0131yor gibi oluyoruz?<\/p>\n\n\n\n

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Cevap, asl\u0131nda \u00e7ok basit. Avucumuzun i\u00e7inde yazar\u0131n ya\u015fam tecr\u00fcbesini ve hayata bak\u0131\u015f\u0131n\u0131 tutuyoruz.  Kitaplar, bir ayna misali duygular\u0131m\u0131z\u0131 hayat\u0131m\u0131z\u0131 yans\u0131t\u0131yor. Ne kadar fantastik olursa olsun. Empati ve ak\u0131l y\u00fcr\u00fctme g\u00fcc\u00fcm\u00fcz\u00fc geli\u015ftiriyor. Bu y\u00fczden asl\u0131nda hi\u00e7birimiz, on bir ya\u015f\u0131nda iken kabul mektubu almad\u0131\u011f\u0131m\u0131z halde hepimiz Hogwarts\u2019da okumu\u015f gibi hissediyoruz. Ya da s\u0131cac\u0131k bir yaz g\u00fcn\u00fcnde Mihail  Bulgakov \u2018un ya\u015fad\u0131\u011f\u0131 so\u011fuk bir k\u0131\u015f g\u00fcn\u00fcn\u00fcn ruhumuzu \u00fc\u015f\u00fctmesine izin veriyoruz. <\/p>\n\n\n\n

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Romanlar, hayat\u0131n ger\u00e7eklerinden ka\u00e7\u0131\u015f yolu olarak yan\u0131na ko\u015ftu\u011fumuz bir arkada\u015f\u0131m\u0131z olsa da, i\u015finin ehli taraf\u0131ndan yaz\u0131ld\u0131\u011f\u0131nda, asl\u0131nda hayat\u0131n ta kendisini bizlere sunan ak\u0131l hocalar\u0131m\u0131z oluyor. \u201cBen, bu d\u00fcnyada olan say\u0131l\u0131 zaman\u0131mda yapt\u0131\u011f\u0131m hatalar\u0131 ve ya\u015fad\u0131klar\u0131m\u0131 tecr\u00fcbeler y\u0131\u011f\u0131n\u0131 olarak bu sayfalarda biriktirdim.\u201d diyerek bizlere yol g\u00f6steren ak\u0131l hocalar\u0131m\u0131z. <\/p>\n\n\n\n

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Bu yaz\u0131y\u0131 yazarken bana ilham olan  Kazuo \u0130shiguro\u2019nun \u201cBeni Asla B\u0131rakma\u201d isimli roman\u0131 da bana yol g\u00f6sterdi\u011fine inand\u0131\u011f\u0131m ak\u0131l hocalar\u0131mdan bir tanesi. Distopik romanlara kar\u015f\u0131 besledi\u011fim derin sevgi sayesinde rastgele kar\u015f\u0131la\u015ft\u0131\u011f\u0131m\u0131z bu roman, ayn\u0131 t\u00fcrde yaz\u0131lan di\u011fer romanlar\u0131n aksine hikaye evreninden \u00e7ok ki\u015filerin ya\u015fad\u0131klar\u0131 ve d\u00fc\u015f\u00fcnce de\u011fi\u015fimine odaklanmas\u0131yla dikkatimi \u00e7ekmi\u015fti. Olaylar\u0131n ya\u015fand\u0131\u011f\u0131 mekan ve zaman ne kadar farkl\u0131 olursa olsun kitap sayfalar\u0131nda gezinen ve hi\u00e7bir \u015feyden haberi olmayan bu insanlarla ayn\u0131 duygular\u0131 ya\u015fayabilece\u011fimizi ilk bu kitapla iliklerime kadar hissetmi\u015ftim. Hi\u00e7bir \u015feyi geride b\u0131rak\u0131p kitaplara s\u0131\u011f\u0131namayaca\u011f\u0131m\u0131 en \u00e7ok bu roman ile anlam\u0131\u015ft\u0131m. Onlar\u0131n da her insan gibi dertleri vard\u0131, her ne kadar bu d\u00fcnyadan olmasalar da. Sayfalara hapsolmu\u015f bu insanlara yapabilece\u011fimiz tek iyilik ise tecr\u00fcbelerinden ders al\u0131p hayat\u0131m\u0131za yol g\u00f6stermelerine izin vermekti. Ancak bu \u015fekilde yaz\u0131m\u0131n ba\u015f\u0131nda al\u0131nt\u0131lad\u0131\u011f\u0131m d\u00f6ng\u00fcden ka\u00e7\u0131\u015f yolunu bulabilir ve onlar\u0131 kendi d\u00fcnyam\u0131zda da ya\u015fatabilirdik.<\/p>\n\n\n\n

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-Collins K.L., Zweber A., Irwin AN. Impact of a Fictional Reading Intervention on Emphaty Development in Student Pharmacists. Curr Pharm Teach Learn<\/em>. 9(3):498-503, 2017.<\/p>\n\n\n\n

-TED, The Neurons that Shaped Civilization\/VS Ramachandran.<\/p>\n\n\n\n

-Beyhan Budak, Roman Okumak Seni Geli\u015ftirir mi? Ki\u015fisel Geli\u015fim.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201c\u00c7\u00fcnk\u00fc belki de sand\u0131\u011f\u0131m\u0131z kadar geride b\u0131rakmam\u0131\u015ft\u0131k bir\u00e7ok \u015feyi. \u0130\u00e7imizde bir \u015fey, bir par\u00e7am\u0131z oldu\u011fu gibi kalm\u0131\u015ft\u0131; etraf\u0131m\u0131zdaki d\u00fcnyadan korkuyorduk<\/p>\n","protected":false},"author":187,"featured_media":6320,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[902,610,453],"acf":[],"views":937,"_links":{"self":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/6306"}],"collection":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/users\/187"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/comments?post=6306"}],"version-history":[{"count":13,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/6306\/revisions"}],"predecessor-version":[{"id":6328,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/6306\/revisions\/6328"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media\/6320"}],"wp:attachment":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media?parent=6306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/categories?post=6306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/tags?post=6306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}