{"id":8028,"date":"2020-10-21T13:25:50","date_gmt":"2020-10-21T10:25:50","guid":{"rendered":"http:\/\/blog.ulubat.org\/?p=8028"},"modified":"2020-10-23T09:42:44","modified_gmt":"2020-10-23T06:42:44","slug":"siddete-bakis-the-devil-all-the-time","status":"publish","type":"post","link":"https:\/\/blog.ulubat.org\/index.php\/genel\/siddete-bakis-the-devil-all-the-time\/","title":{"rendered":"\u015e\u0130DDETE BAKI\u015e: The Devil All The Time"},"content":{"rendered":"\n

<\/p>\n\n\n\n

\u201c\u015eiddet, bir ki\u015fi veya gruba y\u00f6nelik; ma\u011fdurun\nbedensel b\u00fct\u00fcnl\u00fc\u011f\u00fcne, mallar\u0131na veya simgesel ve k\u00fclt\u00fcrel de\u011ferlerine zarar\nverecek \u015fekildeki her t\u00fcrl\u00fc davran\u0131\u015ft\u0131r.\u201d<\/p>\n\n\n\n

Peki The Devil All The Time<\/em>\u2019da \u015fiddet \u00f6gesi nas\u0131l\nkar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor?<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u0130kinci D\u00fcnya Sava\u015f\u0131 sonras\u0131 k\u0131rsal Amerika’da ge\u00e7en,\n\u00e7ok ileri g\u00f6t\u00fcr\u00fclen k\u00f6t\u00fcl\u00fck ve dinin tehlikeleriyle y\u00fczle\u015fmesi gereken Russell\nailesini takip ediyoruz. Temalar\u0131n\u0131 korkun\u00e7 g\u00f6r\u00fcnt\u00fcler ve \u015fa\u015f\u0131rt\u0131c\u0131 oyunculukla\nifade eden karanl\u0131k, yava\u015f ve atmosferik bir film. Olaylar, dinin insanlar\u0131\ns\u0131ms\u0131k\u0131 sard\u0131\u011f\u0131 ancak i\u00e7lerindeki k\u00f6t\u00fcl\u00fc\u011f\u00fc d\u0131\u015far\u0131 \u00e7\u0131karmalar\u0131nda sak\u0131nca\nolmayan bir toplulukta ge\u00e7iyor. Ailelerin inan\u00e7 ger\u00e7e\u011finin \u00e7ocuklar \u00fczerinde\nnas\u0131l tezah\u00fcr etti\u011fini ve belki de bu ba\u011fl\u0131l\u0131ktan dolay\u0131 ayn\u0131 hatalar\u0131 yapan\n\u00e7ocuklar\u0131n hayatlar\u0131n\u0131n ailelerine ne kadar benzer bir \u015fekilde son buldu\u011funu\ng\u00f6r\u00fcyoruz. Bu zincirin k\u0131r\u0131lmas\u0131 gerek. Ama nas\u0131l? \u00d6nceki hayatlar\u0131m\u0131zda\nyapt\u0131\u011f\u0131m\u0131z hatalar\u0131n d\u00f6ng\u00fcselli\u011fi i\u00e7inde miyiz yoksa ailelerimizin hatalar\u0131n\u0131\nm\u0131 tekrarl\u0131yoruz? Bu g\u00fcnahlar\u0131n sebebi \u015feytanla s\u00fcrekli sava\u015fmam\u0131z m\u0131 yoksa? <\/p>\n\n\n\n

Bu noktadan sonra film i\u00e7i bilgiler verilece\u011finden\nyaz\u0131n\u0131n devam\u0131n\u0131 filmden sonra okuman\u0131z\u0131 tavsiye ederim.<\/p>\n\n\n\n

Sanr\u0131lar<\/strong><\/h2>\n\n\n\n

Del\u00fczyon, sanr\u0131 veya hezeyan, belli bir toplum ve \u00e7a\u011f\ni\u00e7inde ger\u00e7e\u011fe uymayan d\u00fc\u015f\u00fcnceyi tan\u0131mlamak i\u00e7in kullan\u0131lan bir terimdir.\nPsikiyatride ise bu terim daha net bir bi\u00e7imde bir inanc\u0131n patolojik oldu\u011funu\nvurgulayan bir terimdir. <\/p>\n\n\n\n

Filmde sanr\u0131lar\u0131, sanr\u0131lar i\u00e7indeki ya\u015fam\u0131 ve\nsanr\u0131lar\u0131n insan\u0131 nas\u0131l \u015fiddete s\u00fcr\u00fckledi\u011fini her a\u00e7\u0131dan g\u00f6rmek m\u00fcmk\u00fcn.\n\u00d6ncelikle Willard karakterinin dindar ailesinin yan\u0131ndan sava\u015fa gitti\u011finde ve\norada \u015fahit oldu\u011fu vah\u015fetten dolay\u0131 travma ya\u015fad\u0131\u011f\u0131n\u0131bu travman\u0131n bir ac\u0131yla\ntekrar kar\u015f\u0131la\u015ft\u0131\u011f\u0131nda bir kez daha g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kt\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. Tanr\u0131ya\nkurban vermek, tanr\u0131 i\u00e7in \u00f6ld\u00fcrmek kavramlar\u0131n\u0131 sorguluyoruz. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Toplumun bak\u0131\u015f a\u00e7\u0131s\u0131 ve bunun yaratt\u0131\u011f\u0131 bask\u0131\ntoplumdaki her bireyin \u00fczerine \u00e7\u00f6km\u00fc\u015ft\u00fcr. Amerika\u2019n\u0131n bu \u00f6nemsiz g\u00f6r\u00fclen g\u00fcney\nkasabalar\u0131 dinin temel haz\u0131rlad\u0131\u011f\u0131 k\u00f6t\u00fcl\u00fcklere ev sahipli\u011fi yapacakt\u0131r.<\/p>\n\n\n\n

\u00d6ks\u00fcz kalm\u0131\u015f bir gen\u00e7 k\u0131z\u0131n (Helen) dine s\u0131ms\u0131k\u0131\ntutunmas\u0131 \u00fczerine dindar bir adamla(Roy) evlenmesi ve bu evlilikten do\u011fan bir\nk\u0131z \u00e7ocu\u011fu Lenora. Anne babas\u0131n\u0131n hikayesi onun yolunun da devam\u0131. Tanr\u0131y\u0131\ng\u00f6rd\u00fc\u011f\u00fc d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc bir sanr\u0131n\u0131n i\u00e7inde olan Roy\u2019un Helen\u2019i \u00f6ld\u00fcr\u00fcp tekrar\ndiriltmeye \u00e7al\u0131\u015fmas\u0131 en vurucu sahnelerden biriydi. Sanr\u0131lar\u0131na ba\u011fl\u0131 olan\nRoy\u2019un tanr\u0131y\u0131 g\u00f6rmedi\u011fini farketmesine ra\u011fmen benli\u011fini ele ge\u00e7iren del\u00fczyonu,\nb\u00fcy\u00fck bir hezeyanla son buluyor. \u0130\u015fte bu hezeyan\u0131n ortas\u0131nda var olmaya \u00e7al\u0131\u015fan\nLenora\u2026 <\/p>\n\n\n\n

Willard\u2019\u0131n \u00f6lm\u00fcnden sonra o\u011flu Arvin b\u00fcy\u00fckannesinin\nyan\u0131na ta\u015f\u0131nd\u0131\u011f\u0131nda Lenora ile hayatlar\u0131n kesi\u015fir. Burda da ya\u015f\u0131tlar\u0131n\u0131n\nonlar\u0131n abi karde\u015f ili\u015fkisinden daha fazlas\u0131 oldu\u011fu d\u00fc\u015f\u00fcncesiyle Lenora\u2019ya\nyapt\u0131klar\u0131 eziyet bu dindar kasaban\u0131n ba\u015fka bir \u00e7eli\u015fkisidir. Lenora\u2019n\u0131n annesi\ngibi kasabaya yeni gelen rahibe duydu\u011fu hayranl\u0131kta pek tesad\u00fcf de\u011fil. Her ne\nkadar annesi b\u00fcy\u00fctememi\u015f olsa da annesinin yapt\u0131\u011f\u0131 se\u00e7imleri yapmas\u0131\nkarakterlerin t\u00fcm\u00fcnde g\u00f6r\u00fcld\u00fc\u011f\u00fc gibi tesad\u00fcflerden ba\u011f\u0131ms\u0131z. Ailemizin davran\u0131\u015flar\u0131n\u0131\nister istemez hayat\u0131m\u0131za yans\u0131tmam\u0131z\u0131n bir sonucu olarak kar\u015f\u0131m\u0131za \u00e7\u0131kan kader\nmotifi<\/em>, bu filmde kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. Ailelerimizin bizi b\u00fcy\u00fct\u00fcrken bize\n\u00f6\u011fretti\u011fi \u015feyleri motif olarak g\u00f6r\u00fcrsek hayat\u0131m\u0131z boyunca bu motifi s\u00fcrekli\ntekrarl\u0131yoruz. Dinsel bir hezeyan i\u00e7inde olan bir ailede do\u011fan \u00e7ocuk bu\ndel\u00fczyonu kabul ediyor ve bunlara ba\u011f\u0131ml\u0131 hayat\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor. Ge\u00e7mi\u015fimiz\ngelece\u011fimiz ne de olsa. <\/p>\n\n\n\n

Arvin karakteri \u00fczerinden sorgulad\u0131\u011f\u0131m\u0131z bir di\u011fer\nkavram ise g\u00fcnahkarl\u0131k. Ne kadar su\u00e7 i\u015fliyor gibi dursa da film boyunca onun\nhep masum oldu\u011funa inan\u0131yoruz. Kutsal kitaplarda yazan\u0131n aksine g\u00fcnahkarl\u0131k \u00e7ok\ndaha farkl\u0131 bak\u0131lmas\u0131 gereken bir olgu oldu\u011funu g\u00f6r\u00fcyoruz. Ve belli ki Arvin\n\u201cG\u00f6m\u00fclmek i\u00e7in do\u011fanlardan\u201d de\u011fil.<\/p>\n\n\n\n

Film, dinin b\u00f6lge halk\u0131 \u00fczerine farkl\u0131 a\u00e7\u0131lardan\netkisini, t\u00fcm bu birbirinden ayr\u0131 hikayelerin nas\u0131l bulu\u015ftu\u011funu -belki de bu\ndinin birle\u015ftirici g\u00fcc\u00fcnden kaynakl\u0131 olabilir- ve bunlar\u0131n sonu\u00e7lar\u0131nda\ntoplumun her bir bireyinin \u00e7ekti\u011fi ac\u0131lar\u0131 g\u00f6zler \u00f6n\u00fcne seriyor. <\/p>\n\n\n\n

\u015eiddete bak\u0131\u015f<\/strong><\/h2>\n\n\n\n

Filmde \u015fiddet her zaman fiziksel olarak kendini\ng\u00f6stermiyor. Din ve \u015fiddet paradoksunu a\u00e7\u0131k\u00e7a hissediyoruz. Dinin \u015fiddet\nba\u011flam\u0131nda kullan\u0131lmas\u0131 ya da dinsel inan\u00e7lar\u0131n ve geleneklerin herhangi bir\n\u015fiddet eylemini destekleyici bir unsur olarak ele al\u0131nmas\u0131 bir paradoks olarak\ng\u00f6r\u00fcl\u00fcyor. Rahip Teagardin\u2019\u0131n kasabadaki k\u0131z \u00e7ocuklar\u0131yla ili\u015fkileri burada\n\u00f6nemli bir \u00f6rnek te\u015fkil etmekte. Ba\u015fka bir a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda Willard\u2019\u0131n Arvin\u2019e\ndo\u011fru zamanda \u015fiddet kullan\u0131m\u0131n\u0131 me\u015frula\u015ft\u0131racak \u015fekilde \u00f6\u011fretmesi gelecekte\nArvin\u2019in kendini korumak ve intikam almak i\u00e7in kullanmas\u0131na neden oluyor. \u00c7\u00fcnk\u00fc\nbir \u00e7ocu\u011fa ne \u00f6\u011fretirsek onu uygulama vakti geldi\u011finde uygulamaktan \u00e7ekinmez. Otorite\nsahibinin \u00f6\u011fretileri y\u0131llar i\u00e7inde toplumda kabul g\u00f6r\u00fclmez hale gelse de\nbireyin \u00fczerindeki etki onu hi\u00e7bir zaman rahat b\u0131rakmaz. Parmak izine\nd\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr adeta.<\/p>\n\n\n\n

\u015eiddet; arka plan\u0131nda yer alan unsurlar a\u00e7\u0131s\u0131ndan\nolduk\u00e7a kompleks bir yap\u0131ya sahiptir. Herhangi bir \u015fiddet eyleminin sosyal,\nsiyasal, ekonomik ve tarihsel bir\u00e7ok nedeni vard\u0131r\/olabilir. Bu nedenler \u00e7o\u011fu\nzaman i\u00e7 i\u00e7edir. \u00d6yle ki bir \u015fiddet eylemi \u00f6rne\u011fin hem sosyal ve siyasal hem de\nekonomik ve tarihsel nedenlerle i\u00e7 i\u00e7e olabilir. \u015eiddet hadisesine y\u00f6nelik\nyap\u0131lacak bir de\u011ferlendirmede yaln\u0131zca hadisenin d\u0131\u015fa yans\u0131yan y\u00fcz\u00fcn\u00fc de\u011fil\narka plan\u0131nda yer alan b\u00fct\u00fcn fakt\u00f6rleri dikkate almak sa\u011fl\u0131kl\u0131 bir analiz ve\nde\u011ferlendirme i\u00e7in \u015fartt\u0131r.<\/p>\n\n\n\n

Film dindarl\u0131k-tesad\u00fcfler-delilik \u00fc\u00e7geninde akarken dinin toplumsal dinamikte nas\u0131l var oldu\u011funu, sek\u00fclerizmin toplumlarda nas\u0131l i\u015fledi\u011fini daha ayr\u0131nt\u0131l\u0131 \u00f6\u011frenmek isterseniz Charles Taylor\u2019\u0131n Sek\u00fcler \u00c7a\u011f<\/em> kitab\u0131n\u0131 okuyabilirsiniz. <\/p>\n\n\n\n

Ayn\u0131 zamanda The Backwater Gospel <\/em>k\u0131sa\nanimasyonunda da dinin insanlar \u00fczerindeki etkisinin nereye varabilece\u011fini\ng\u00f6rebiliyoruz. The Devil All The time\u2019\u0131n anlatmak istediklerini daha k\u0131sa\ns\u00fcrede ve etkili bir \u015fekilde anlat\u0131yor.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201c\u015eiddet, bir ki\u015fi veya gruba y\u00f6nelik; ma\u011fdurun bedensel b\u00fct\u00fcnl\u00fc\u011f\u00fcne, mallar\u0131na veya simgesel ve k\u00fclt\u00fcrel de\u011ferlerine zarar verecek \u015fekildeki her t\u00fcrl\u00fc<\/p>\n","protected":false},"author":148,"featured_media":8038,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[705,1265,532,1266,1264],"acf":[],"views":1032,"_links":{"self":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/8028"}],"collection":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/users\/148"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/comments?post=8028"}],"version-history":[{"count":7,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/8028\/revisions"}],"predecessor-version":[{"id":8061,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/8028\/revisions\/8061"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media\/8038"}],"wp:attachment":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media?parent=8028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/categories?post=8028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/tags?post=8028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}