{"id":8658,"date":"2020-11-25T19:44:21","date_gmt":"2020-11-25T16:44:21","guid":{"rendered":"http:\/\/blog.ulubat.org\/?p=8658"},"modified":"2020-11-25T19:44:23","modified_gmt":"2020-11-25T16:44:23","slug":"hislerin-bulusma-noktasi-muzik-ve-beyin","status":"publish","type":"post","link":"https:\/\/blog.ulubat.org\/index.php\/genel\/hislerin-bulusma-noktasi-muzik-ve-beyin\/","title":{"rendered":"Hislerin Bulu\u015fma Noktas\u0131: M\u00dcZ\u0130K VE BEY\u0130N"},"content":{"rendered":"\n

\u00a0\u00a0 <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Bu yaz\u0131y\u0131 Khaita Buniatishvili-Suite in B-Flat Major \u00a0HWV 434: IV. Menuet par\u00e7as\u0131 e\u015fli\u011finde okuman\u0131z\u0131 \u00f6neririm \ud83d\ude42<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

     Duygular\u0131m\u0131z\u0131 ifade etmenin bir\u00e7ok yolu\nvard\u0131r.Temel olarak konu\u015fmay\u0131 tercih etsek de bazen s\u00f6zlerin,kelimelerin\nyetersiz kald\u0131\u011f\u0131 anlar olur. O zaman herkes farkl\u0131 farkl\u0131 alternatiflere\nba\u015fvurur. \u0130\u015fte bu alternatiflerden biri de m\u00fcziktir.\u00c7\u00fcnk\u00fc o en ilkelinden en\nokumu\u015f haval\u0131 adam\u0131na kadar herkesi etkileyen bir ileti\u015fim arac\u0131d\u0131r. M\u00fczi\u011fin\nevrensel dilinin fark edili\u015finin, sanat tarihleri ele al\u0131nd\u0131\u011f\u0131nda \u00e7ok \u00e7ok eski\ntarihlere dayand\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr\u00fcz. Hepimizin bildi\u011fi bu evrensel dilin bilimsel  kan\u0131tlan\u0131\u015f\u0131 nas\u0131l olmu\u015ftur? Size bu yaz\u0131mda\nk\u0131saca bu e\u015fsiz evrensel dil hakk\u0131nda yap\u0131lan deneylerden bahsetmek istiyorum.<\/p>\n\n\n\n

     D\u00fcnyan\u0131n en \u00fccra\nk\u00f6\u015fesinde, en ilkel halde ya\u015fayan kabilelerde bile kendine \u00f6zg\u00fc m\u00fczik vard\u0131r. Bu\nkonuda Max Planck Enstit\u00fcs\u00fcnden Fritz adl\u0131 bir bilim insan\u0131n\u0131n ilgin\u00e7 \u00e7al\u0131\u015fmalar\u0131\nbulunmaktad\u0131r. Kamerun\u2019un kuzeyinde Mafa adl\u0131 bir Afrika kabilesine, o g\u00fcne\nkadar hayatlar\u0131nda hi\u00e7 duymad\u0131klar\u0131 modern bat\u0131 \nm\u00fczi\u011finden enstr\u00fcmantel birka\u00e7 par\u00e7a dinletti. Bu par\u00e7alar \u00fc\u00e7 temel\nduyguyu (mutluluk,\u00fcz\u00fcnt\u00fc ve korku) bar\u0131nd\u0131ran par\u00e7alard\u0131. Fritz par\u00e7alar\u0131 dinletti\u011fi\nkabile \u00fcyelerinin \u00f6n\u00fcne y\u00fcz\u00fcnde \u00e7e\u015fitli duygusal ifadeleri i\u00e7eren kad\u0131n\nfoto\u011fraflar\u0131 koydu ve dinledikleri m\u00fczi\u011fe g\u00f6re kad\u0131n y\u00fczlerinden birini\nse\u00e7melerini istedi. Ve sonu\u00e7lar g\u00f6sterdi ki duygular  s\u00f6zlere gereksinim duymadan ahenkli sesler\nile yani m\u00fczik ile birbiriyle tek ortak noktas\u0131 ayn\u0131 cinsi payla\u015fan canl\u0131lar\naras\u0131nda dahi aktar\u0131labiliyordu.Mafa Kabilesi \u00fcyeleri par\u00e7alar\u0131 bat\u0131daki\ninsanlar ile ayn\u0131 \u015fekilde kategorize etmi\u015fti. <\/p>\n\n\n\n

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\u00a0\u00a0\u00a0\u00a0 Beyin g\u00f6r\u00fcnt\u00fcleme \u00fczerine yap\u0131lan yeni \u00e7al\u0131\u015fmalar da g\u00f6steriyor ki m\u00fczik ve evrensellik aras\u0131ndaki ili\u015fkiyi beynimiz ve m\u00fczik aras\u0131ndaki ba\u011fda da bulmak\nm\u00fcmk\u00fcn.Normalde beyin g\u00f6r\u00fcnt\u00fcleme s\u0131ras\u0131nda bir i\u015f yap\u0131ld\u0131\u011f\u0131nda,beyinde o i\u015fi\nyapmakla sorumlu b\u00f6lgeyi  renkli bir\n\u015fekilde g\u00f6r\u00fcr\u00fcz. Aktif k\u0131s\u0131m d\u0131\u015f\u0131ndaki k\u0131s\u0131mlar zifiri bir karanl\u0131k i\u00e7indedir. Sadece\nm\u00fczik dinleyenlerin beyni ise g\u00f6r\u00fclmeye de\u011ferdir. M\u00fczik etkisi gri organ\u0131m\u0131z\u0131\nadeta bir karnavala,sanatsal bir tabloya d\u00f6n\u00fc\u015ft\u00fcr\u00fcr.<\/p>\n\n\n\n

       Dinlerken herkesi,\nher \u015feyi unuttu\u011fumuz ya da tam aksine ilk melodiyi duydu\u011fumuz anda bile bizi\nbir yere, birine g\u00f6t\u00fcren par\u00e7alar vard\u0131r.Kim bilir belki de beynimizde sessize\nal\u0131nm\u0131\u015f bir noktay\u0131 harekete ge\u00e7iriyoruzdur. Bu konuda \u00e7al\u0131\u015fmalar hala s\u00fcr\u00fcyor.\nSiz de sevdi\u011finiz, \u00f6nermek istedi\u011finiz par\u00e7ay\u0131 yorumlara eklerseniz sevinirim.\nBir sonraki yaz\u0131mda g\u00f6r\u00fc\u015fmek \u00fczere. Ho\u015f\u00e7akal\u0131\u0131n.<\/p>\n\n\n\n

Yazar: S\u00fcmeyye \u0130PEK <\/em><\/p>\n\n\n\n

Edit\u00f6r:Nur Banu OKUR <\/em><\/p>\n\n\n\n

KAYNAK\u00c7A <\/p>\n\n\n\n

Fritz T ve di\u011ferleri (2009). Universal\nrecognition of three basic emotions in music<\/em>.<\/strong> Curr Biol. 2009\nApr 14;19(7):573-6. doi: 10.1016\/j.cub.2009.02.058. Epub 2009 Mar 19.<\/strong><\/p>\n\n\n\n

Rosekranz K ve di\u011ferleri (2007). Motocortical excitability and synaptic plasticity is enhanced in\nprofessinonal musicians<\/em>. J Neurosci. 2007 May 9;27(19):5200-6<\/strong><\/p>\n\n\n\n

Serkan Karaismailo\u011flu Pia\nMater <\/em>2. Bask\u0131<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0\u00a0 Bu yaz\u0131y\u0131 Khaita Buniatishvili-Suite in B-Flat Major \u00a0HWV 434: IV. Menuet par\u00e7as\u0131 e\u015fli\u011finde okuman\u0131z\u0131 \u00f6neririm \ud83d\ude42      Duygular\u0131m\u0131z\u0131 ifade<\/p>\n","protected":false},"author":389,"featured_media":8663,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[70,1096,840],"acf":[],"views":953,"_links":{"self":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/8658"}],"collection":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/users\/389"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/comments?post=8658"}],"version-history":[{"count":1,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/8658\/revisions"}],"predecessor-version":[{"id":8664,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/posts\/8658\/revisions\/8664"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media\/8663"}],"wp:attachment":[{"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/media?parent=8658"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/categories?post=8658"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.ulubat.org\/index.php\/wp-json\/wp\/v2\/tags?post=8658"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}